Durham, North Carolina
I work between photogrammetry, 3D modeling, and physical fabrication — scanning real objects, building digital forms, and helping turn ideas into things that exist in the world.
Selected work
Public sculpture · Photogrammetry and model development
Photogrammetry capture of Durham's public bull sculpture by Leah Foushee and Mike Waller, developed across multiple sessions. I built the digital models that became the basis for scaled bronze-cast replicas.
Public-art proposal · Concept rendering
Digital model and rendering for a civic public-art proposal in Waxhaw, NC. I developed the 3D form and visualization for submission to the Town Hall selection process.
Concept rendering · Collaboration
Conceptual rendering in collaboration with sculptor Jackie MacLeod. I developed the 3D model and visual presentation from an early-stage sculptural idea.
Scan to cast · Collaboration with Leah Foushee
A full translation workflow developed with Leah Foushee: found object scanned, scaled in digital form, and recast in new material.
Concept development · Public installation proposal
Concept and 3D rendering for a proposed public interpretive installation in Bluffton, SC. I developed the form and proposal imagery for pre-fabrication review.
3D scan · Cultural heritage
A 3D scan of the Ambrose at South Street Seaport Museum in Manhattan, captured with an iPhone 14 and processed with NeRF in the Luma app.
Public art · Proposal model
A proposed public art installation for Greensboro's College Hill neighborhood: three sculptural benches in the form of common backyard birds, designed to celebrate diversity, inclusivity, and the conversations that hold a neighborhood together.
About
Most of my work lives in the space between a real object and a digital one. I scan things, build 3D models, develop renderings, and figure out how to get from an idea or a maquette to something that can be fabricated, cast, or installed.
A lot of this happens in collaboration — with sculptors, public-art teams, and people working on proposals or commissions. I've spent years helping other artists realize their work, and I'm increasingly making my own.
The through-line is translation: taking a form from one state and carrying it into the next with as much intelligence and care as I can.
Capture existing form Build proposal imagery Prepare fabrication handoff
Contact
If you want to talk about work, collaboration, or anything here — reach out.